Our directory of things of interest

University Directory

James Cook: The Voyages

  • Written by  Katie Burton and Paul Presley
  • Published in Exhibitions
James Cook: The Voyages
02 May
2018
To reflect the 250th anniversary of James Cook’s first voyage in 1768, this exhibition at the British Library charts the discoveries made by the great explorer

A close look at world maps from the 15th to 18th centuries shows that some European cartographers got one thing very wrong. A mysterious land mass at the bottom, surrounding what we now know to be Antarctica, reveals the long-held European belief in a ‘Great Southern Continent’. Finding this land, and securing a friendly relationship with its people, was one of the secret goals of James Cook’s first voyage, in 1768, on the ship HMS Endeavour.

Over the course of his three voyages Cook was not only able to disprove the notion of the Great Southern Continent, but also to fill in other blank spaces on the map. A new exhibition, curated by the British Library to coincide with the 250th anniversary of Cook’s first voyage, brings together a huge array of artwork, original maps and handwritten journals from each seminal expedition.

Laid out chronologically, the exhibition moves through each of the voyages, stopping off, as Cook and his crew did, at different islands and previously uncharted lands. Each new room represents a stop on the first voyage, which began in the South Pacific, landing first at Tierra del Fuego and then Tahiti. Between each such ‘voyage’ the exhibition’s path takes visitors ‘back to London’ to explore the after-effects, scientifically and politically, of each journey and to set the stage for Cook’s subsequent travels.

What those of us less familiar with Cook’s voyages may not know is that as well as the requisite sailors, he was joined by artists and botanists. On the first voyage, this was largely down to Joseph Banks, a wealthy landowner and botanist who paid to join Cook on the Endeavour. As a result, the exhibition is crammed with art that attempts to bring the people and places the crew encountered to life.

Inhabitants edit
'Inhabitants of the Island of Terra del Fuego in their Hut' by Alexander Buchan 1769 (Image: British Library Board)

There are drawings of the Huash people, native to the island of Tierra del Fuego, by Scottish artist Alexander Buchan; depictions of the Maori by Sydney Parkinson, who died on the voyage back to Britain; huge Pacific panoramas and visions of Antarctic icebergs by William Hodges and engravings of tribal ceremonies by John Webber. Intriguingly, there are also drawings presumed to be the work of Tupaia, a native high priest of Tahiti who joined Cook on the Endeavour as it continued to New Zealand.

Tahitian Scene by Tupaia c British Library BoardTahitian Scene by Tupaia (Image: British Library Board)

Natural history also features heavily. In the New Zealand room we find a depiction of a kangaroo by Sydney Parkinson – the first European to capture the iconic animal. The accompanying plaque details the party’s discovery of an animal ‘as large as a greyhound, of a mouse colour and very swift’.

There are a small number of specimens on display. Highlights include a necklace from Tierra del Fuego, a reindeer-skin quiver from the Chukotsky Peninsula, and the mouthparts of a squid, collected by Joseph Banks once he’d disposed of the body in a delicious soup. Details such as this serve to make the exhibition particularly memorable.

Entertainments at Lifuka on the reception of Captain Cook by John Webber 1777'Entertainments at Lifuka on the reception of Captain Cook' by John Webber 1777

Interspersed among the historic artefacts are videos, specially produced for the exhibition and including the nation’s favourite documentarian, Sir David Attenborough. It is here that the curators attempt to tackle the troubling side of Cook’s legacy, from imperialism in Australia and violent encounters with the Maori in New Zealand to the beginnings of a devastating fur trade. In the final such piece, Nick Tupara, an artist of the Ngāti Oneone tribe in New Zealand, speaks directly to camera: ‘I think our people still feel a tension about the whole Cook story, the way it’s told here and the lack of ability to have their say.’

To help provide this necessary context to the subject, the British Library is commissioning a series of accompanying photography exhibits by Pacific groups consulted throughout the curation of the main gallery – the idea being to form a ‘response’ to the main exhibit by those that most felt the eventual ramifications of Cook’s voyages.

It’s certainly to the curators’ credit that they haven’t shied away from the more controversial aspects of Cook’s voyages. Confronting entrenched viewpoints is very much at the forefront of modern society and to have turned a blind eye to the more worrisome actions of the past would have done the subject a disservice.

That said, despite a conviction at the beginning of the exhibit (in which the introductory video warns that some of what follows may be troubling), there is a sense throughout that the potential for controversy has imbued the entire exhibition with a feeling of reservation. Aside from the opulent ‘London’ rooms, there’s very little ‘decoration’ in the voyage areas, a surprising sparsity of framing information which can leave those not already possessing a good degree of knowledge of Cook and his journeys feeling somewhat lost as to the context behind many of the exhibits. Small globes adorn the start of each area purportedly showing the routes, but they’re fiddly to use and can easily be overlooked during busier times, ultimately leaving visitors sometimes feeling a touch lost as to where they currently are along the path of each voyage. Large wall maps might have served better along with a greater visualisation of background information.

Strangely, the impression is almost as if by wanting to address the more controversial aspects of Cook’s legacy, a potential to offend has held the exhibition designers back. That not shouting too loudly about Cook’s endeavours is what’s needed when instead a more bold addressing of the issues would have served everyone better.

Nevertheless, the exhibition skilfully interweaves this complex legacy with the wealth of materials on display and the knowledge that Cook unearthed. The take-home message is that Cook was important, but not without controversy.

COOK’S THREE VOYAGES

First voyage (1768-1771): The official mission of Cook’s first voyage was to track the planet Venus from Tahiti. Cook travelled first to Tierra del Fuego, an archipelago off the southernmost tip of South America, then on to Tahiti. He then ventured west to New Zealand where he spent six months charting the coast, proving as he went that the land was not a northern extension of the Great Southern Continent, as many had believed. One of the jewels of the exhibition is Cook’s remarkably accurate map of New Zealand. He finished the voyage charting the unexplored eastern parts of ‘New Holland’ (the name given by the Dutch to Australia in the 17th century).

Second voyage (1772-75): Cook was ordered by the Admiralty to sail south from the tip of Africa, once again on the hunt for the missing southern continent. In disproving the existence of the continent once and for all, Cook led the first expedition to ever cross the Antarctic circle.

Third voyage (1776-80): The third voyage was to be Cook’s last. It was on this trip that he met his end in ambiguous circumstances on the island of Hawaii (indeed, a display of reports written by eyewitnesses to Cook’s demise makes for gruesome reading). The goal of the expedition was to explore the North Pacific and search for a sea passage to the Atlantic – a passage which, like the southern continent, did not exist.

James Cook: The Voyages is open until 28 August in the PACCAR Gallery at the British Library. Tickets cost £14. Free for members. For more information go to www.bl.uk/the-voyages-of-captain-james-cook

 

geo line break v3

Free eBooks - Geographical Newsletter

Get the best of Geographical delivered straight to your inbox by signing up to our weekly newsletter and get a free collection of eBooks!

geo line break v3

Subscribe to Geographical!

geo line break v3

Free eBooks - Geographical Newsletter

Sign up for our weekly newsletter today and get a FREE eBook collection!

geo line break v3

University of Winchester

geo line break v3

EDUCATION PARTNERS

Aberystwyth University University of Greenwich The University of Derby

TRAVEL PARTNERS

Ponant

Silversea

Travel the Unknown

DOSSIERS

Like longer reads? Try our in-depth dossiers that provide a comprehensive view of each topic

  • Natural Capital: Putting a price on nature
    Natural capital is a way to quantify the value of the world that nature provides for us – the air, soils, water, even recreational activity. Advocat...
    The Human Game – Tackling football’s ‘slave trade’
    Few would argue with football’s position as the world’s number one sport. But as Mark Rowe discovers, this global popularity is masking a sinister...
    Essential oil?
    Palm oil is omnipresent in global consumption. But in many circles it is considered the scourge of the natural world, for the deforestation and habita...
    London: a walk in the park
    In the 2016 London Mayoral election, the city’s natural environment was high on the agenda. Geographical asks: does the capital have a green future,...
    Diabetes: The World at Risk
    Diabetes is often thought of as a ‘western’ problem, one linked to the developed world’s overindulgence in fatty foods and chronic lack of physi...

MORE DOSSIERS

NEVER MISS A STORY - Follow Geographical on Social

Want to stay up to date with breaking Geographical stories? Join the thousands following us on Twitter, Facebook and Instagram and stay informed about the world.

More articles in REVIEWS...

Films

Powerful expedition film, screened at the 2018 Adventure Uncovered Film…

Books

by Laura Locker and Julia Scheele • Icon Books • £12.99 (paperback)

Books

by Patrick Nunn • Bloomsbury • £16.99 (hardback) • £14.99 (eBook)

Books

by Oliver Bullough • Profile Books • £20 (hardback) • £14.99 (eBook)

Books

by Thomas Reinertsen Berg • Hodder & Stoughton • £25 (hardback)

Books

by Adam Rutherford • Weidenfeld & Nicolson • £18.99 (hardback) • £9.99 (eBook)

Films

Ever since 1984, when the first TED conference took place,…

Exhibitions

Annual photography competition at the Natural History Museum celebrates the…

Exhibitions

We all have to live with buildings, but getting the…

Books

by Bruno Latour • Polity Books • £12.99 (hardback)

Books

edited by Fearghal O’Nuallain • Summersdale • £9.99 (paperback)

Books

by Francis Fukuyama • Profile Books • £16.99 (hardback) • £14.99 (eBook)

Books

by Pascal Bruckner • Polity Books • £16.99 (hardback)

Books

by Kevin Begos • Algonquin Books • £20.99 (hardback)

Books

by Karl Schlögel (translated by Gerrit Jackson) • Reaktion Books • £18 (hardback)

Films

Space race biopic tries to uncover the real Neil Armstrong,…

Exhibitions

Four new galleries at Royal Museums Greenwich explore Britain’s maritime…

Books

by John Foot • Bloomsbury • £25 (hardback)

Books

by Deborah Baker • Chatto & Windus • £25 (hardback)